| Stabat Mater for S, A, strings & B.c. | ||
| [1] | Duetto: Stabat mater dolorosa | 4'31 |
| [2] | Aria(S): Cujus animam gementem | 2'08 |
| [3] | Duetto: O quam tristis et afflicta | 1'58 |
| [4] | Aria(A): Quae moerebat et dolebat | 2'04 |
| [5] | Duetto: Quis est homo | 2'57 |
| [6] | Aria(S): Vidit suum dulcem natum | 3'03 |
| [7] | Aria(A): Eia mater, fons amoris | 2'27 |
| [8] | Duetto: Fac ut ardeat cor meum | 2'06 |
| [9] | Duetto: Sancta Mater, istud agas | 5'00 |
| [10] | Aria(A): Fac ut portem Christi mortem | 3'40 |
| [11] | Duetto: Inflammatus et accensus | 1'51 |
| [12] | Duetto: Quando corpus morietur | 4'27 |
| Laudate pueri Dominum (Psalm 112) for S, chorus à 5, orchestra & B.c. | ||
| [13] | S and chorus: Laudate pueri Dominum | 3'03 |
| [14] | Aria (S): A solis ortu usque ad occasum | 3'25 |
| [15] | S and chorus: Excelsus super omnes gentes Dominus | 1'48 |
| [16] | S and chorus: Quis sicut Dominus Deus noster | 2'08 |
| [17] | S and chorus: Suscitans a terra inopem | 2'15 |
| [18] | Aria (S): Gloria patris | 3'09 |
| [19] | Chorus: Sicut erat in principio | 2'19 |
| Confitebor tibi Domine (Psalm 110) for S, A, chorus à 5, strings & B.c. | ||
| [20] | Chorus: Confitebor tibi Domine | 2'06 |
| [21] | S and chorus: Confessio et magnificentia opus ejus | 3'50 |
| [22] | Aria (S): Fidelia omnia mandata ejus | 1'54 |
| [23] | Chorus: Redemptionem misit populo suo | 1'00 |
| [24] | Aria (A): Sanctum et terribile nomen ejus | 3'52 |
| [25] | Chorus: Gloria patri | 1'07 |
| [26] | Chorus (with S and A solo): Sicut erat in principio | 2'47 |
| total time | 71'00 |
Julia Lezhneva, soprano
Philippe Jaroussky, sopranista (in [18]), countertenor
Coro della Radiotelevisione svizzera, Lugano
I Barocchisti (on period instruments):
2 trumpets, 2 oboes, 3 bassoons, strings and b.c.
direction: Diego Fasolis
recording: March 14-21, 2012, Auditorio Stelio Molo, Lugano/Switzerland