Studio SM D 2805 (2000)
,
SM D 3015 (2004) 
| Antonio Vivaldi (1678 - 1741): Sinfonia "Al santo sepulcro" in b minor | ||
| [1] | Adagio molto | 2'20 |
| [2] | Allegro ma pocco | 1'35 |
| Alessandro Scarlatti (1660 - 1725): Salve Regina | ||
| [3] | Salve Regina | 4'14 |
| [4] | Ad te clamamus | 2'34 |
| [5] | Ad te suspiramus | 1'42 |
| [6] | Eja ergo | 1'48 |
| [7] | Et Jesum | 1'50 |
| [8] | O clemens | 2'40 |
| Antonio Vivaldi (1678 - 1741): Sonata à 4 "Al santo sepulcro" in Bb major | ||
| [9] | Largo molto | 2'18 |
| [10] | Allegro ma pocco | 1'57 |
| Giovanni Battista Pergolesi (1710 - 1736): Stabat Mater | ||
| [11] | Duetto: Stabat mater dolorosa | 3'50 |
| [12] | Aria(S): Cujus animam gementem | 2'05 |
| [13] | Duetto: O quam tristis et afflicta | 2'07 |
| [14] | Aria(A): Quae moerebat et dolebat | 2'15 |
| [15] | Duetto: Quis est homo | 2'18 |
| [16] | Aria(S): Vidit suum dulcem natum | 3'09 |
| [17] | Aria(A): Eja mater, fons amoris | 2'09 |
| [18] | Duetto: Fac ut ardeat cor meum | 2'08 |
| [19] | Duetto: Sancta Mater, istud agas | 5'08 |
| [20] | Aria(A): Fac ut portem Christi mortem | 3'52 |
| [21] | Duetto: Inflammatus et accensus | 2'00 |
| [22] | Duetto: Quando corpus morietur | 4'27 |
| total time: | 59'35 |
Paul Laumont, sopranista
Benoît Petit, counter-tenor
Collegium Baroque (on period instruments):
Nicolas Mazzoleni, violin 1
Cécile Mille, violon 2
Laurence Duval, viola
Tormod Dalen, violoncello
Jean-Paul Talvard, double bass
Charles-Edouard Fantin, lute and theorbo
Julie Blais, organ and harpsichord
directed by Rémy Fombon
recording: April 1999, Roman Church, Pommiers (Loire)/F