Capriccio 67 130-2 (2005)
| [1] | Quartus Psalmus Poenitentialis (Psalm 51/50) | 20'07 | |
| [1.01] | Miserere mei | ||
| [1.02] | Et secundum | ||
| [1.03] | Amplius lava me | ||
| [1.04] | Quoniam iniquitatem | ||
| [1.05] | Tibi soli peccavi | ||
| [1.06] | Ecce enim in iniquitatibus à4 | ||
| [1.07] | Ecce enim veritatem | ||
| [1.08] | Asperges me | ||
| [1.09] | Auditui meo à2 | ||
| [1.10] | Averte faciem tuam | ||
| [1.11] | Cor mundum crea | ||
| [1.12] | Ne projicias me à3 | ||
| [1.13] | Redde mihi | ||
| [1.14] | Docebo iniquos vias tuas à4 | ||
| [1.15] | Libera me | ||
| [1.16] | Domine, labia me aperies | ||
| [1.17] | Quoniam si voluisses à3 | ||
| [1.18] | Sacrificium Deo spiritus | ||
| [1.19] | Benigne fac | ||
| [1.20] | Tunc acceptabis sacrificium | ||
| [1.21] | Gloria Patri | ||
| [1.22] | Sicut erat à6 | ||
| [2] | Quintus Psalmus Poenitentialis (Psalm 102/101) | 25'08 | |
| [2.01] | Domine, exaudi orationem meam | ||
| [2.02] | Non avertas faciem tuam à2 | ||
| [2.03] | In quacumque die invocavero te à3 | ||
| [2.04] | Quia defecerunt à4 | ||
| [2.05] | Percussus sum ut foenum | ||
| [2.06] | A voce gemitus | ||
| [2.07] | Similis factus sum | ||
| [2.08] | Vigilavi factus sum | ||
| [2.09] | Tota die exprobrabant à2 | ||
| [2.10] | Quia cinerem tamquam | ||
| [2.11] | A facie irae | ||
| [2.12] | Dies mei sicut umbra | ||
| [2.13] | Tu autem | ||
| [2.14] | Tu exsurgens misereberis Sion à3 | ||
| [2.15] | Quonuiam placuerunt | ||
| [2.16] | Et timebunt gentes | ||
| [2.17] | Quia aedificavit | ||
| [2.18] | Respexit in orationem humilium | ||
| [2.19] | Scribantur haec in generatione altera à2 | ||
| [2.20] | Quia prospexit | ||
| [2.21] | Ut audiret gemitus | ||
| [2.22] | Ut annuncient | ||
| [2.23] | In conveniendo populos | ||
| [2.24] | Respondit ei in via virtutis suae | ||
| [2.25] | Ne revoces me à4 | ||
| [2.26] | Initio tu | ||
| [2.27] | Ipsi peribunt | ||
| [2.28] | Et sicut opertorium | ||
| [2.29] | Filii servorum | ||
| [2.30] | Gloria patri | ||
| [2.31] | Sicut erat à6 | ||
| [3] | Sextus Psalmus Poenitentialis (Psalm 130/129) | 7'59 | |
| [3.01] | De profundis | ||
| [3.02] | Fiant aures | ||
| [3.03] | Si iniquitantes observaveris | ||
| [3.04] | Quia apud te à3 | ||
| [3.05] | Sustinuit anima mea | ||
| [3.06] | A custodia | ||
| [3.07] | Quia apud Dominum à3 | ||
| [3.08] | Et ipse redimet à4 | ||
| [3.09] | Gloria Patri | ||
| [3.10] | Sicut erat à6 | ||
| [4] | Septimus Psalmus Poenitentialis (Psalm 143/142) | 14'09 | |
| [4.01] | Domine, exaudi orationem meam | ||
| [4.02] | Et non intres | ||
| [4.03] | Quia persecutus est à3 | ||
| [4.04] | Collocavit me | ||
| [4.05] | Memor fui dierum | ||
| [4.06] | Expandi manus meas à2 | ||
| [4.07] | Velociter exaudi me | ||
| [4.08] | Non avertas faciem tuam | ||
| [4.09] | Auditam fac mihi | ||
| [4.10] | Notam fac mihi viam | ||
| [4.11] | Eripe me di inimicis meis à3 | ||
| [4.12] | Spiritus tuus bonus à4 | ||
| [4.13] | Educes de tribulatione | ||
| [4.14] | Et perdes omnes | ||
| [4.15] | Gloria Patri | ||
| [4.16] | Sicut erat à6 | ||
| total time: | 67'56 | ||
Tölzer Knabenchor:
Soli (*=guests):
Robin Schlotz, treble (Discantus)
Rodrigo del Pozo(*), tenor altino (Altus)
Frederic Jost, [boy] alto (Altus)
Harry Geraerts(*), tenor (Tenor)
Christian Fliegner, tenor (Tenor)
Andreas Burkhart, baritone (Contratenor bassus [Quinta vox])
Maximilian Hinz, baritone (Contratenor bassus [Quinta vox])
Ralf Ludewig, bass (Bassus)
Ripieni:
trebles: Lars John and Alexander Lischke (Discantus)
trebles: Can Cesmeli and Benedikt Seigner (Discantus, Mezzo)
[boy] altos: Nikas Mallmann and Magnus Textor (Altus)
tenor: Stefan Pangratz (Tenor)
bass; Matthias Ritter (Bassus)
Musicalische Compagney:
Cornetto: Holger Eichhorn
Trombones: Yuji Fujimoto, Christoph Hamborg, Aron Gaouri
Dulcians: Georg Corall, Birgit Bahr, Nikolaus Broda
Violin: Dagmar Valentová
Viols: Claas Harders, Laura Frey, Giso Grimm
Lutes and chitarrones: Thomas Ihlenfeld, Frank Pschichholz, Simon Linné
Organ and harpsichord: Julia Theis
Organ, harpsichord and regal: Robert Hugo
direction: Holger Eichhorn and Gerhard Schmidt-Gaden
recording: June 3-6, 2004, Großer Saal, Schloss Dachau (Germany)